I wanna be like you

I Wan'na Be Like You is a song composed by Richard M. Sherman and Robert B. Sherman for Disney's animated film The Jungle Book, released in 1967. Performed in the film by King Louie, the song became one of Disney's most iconic jazz-inspired classics.

Django Reinhardt never recorded "I Wan'na Be Like You", as the song was written fourteen years after his death in 1953. However, its infectious swing rhythm, bluesy harmony, and playful melody have made it a favorite among swing and Gypsy Jazz musicians.

Musical character:
I Wan'na Be Like You is an upbeat swing tune with a catchy melody, lively syncopation, and strong New Orleans jazz influences. Its energetic feel and memorable chord progression provide excellent opportunities for improvisation while retaining the playful spirit of the original.

Connection to Manouche jazz:
Although the song has no historical connection to Django Reinhardt, it has become surprisingly popular in the modern Manouche Jazz repertoire. Many Gypsy Jazz ensembles enjoy arranging it in the style of the Quintette du Hot Club de France, where its swinging rhythm and harmonic structure translate naturally to acoustic guitars and violin.

Interesting facts:

• The song was written by brothers Richard M. Sherman and Robert B. Sherman for Disney's The Jungle Book (1967).
• In the original film, it was performed by jazz musician Louis Prima, whose energetic singing and trumpet playing inspired the character of King Louie.
• The song blends traditional swing, Dixieland, and early jazz influences, making it one of Disney's most jazz-oriented compositions.
• Its lively groove and memorable melody have led to countless cover versions by jazz, swing, and Gypsy Jazz artists.
• I Wan'na Be Like You remains one of the most recognizable songs in Disney history and continues to delight audiences of all ages.

I Wan'na Be Like You is a joyful celebration of swing and jazz. Although it belongs to a later era than Django Reinhardt, its infectious rhythm and timeless melody have earned it a well-deserved place in the repertoire of many contemporary Manouche Jazz musicians.